Not bad - Opening Night movie (Die erste Vorstellung).
Movie Is being made - in 1977.
Nancy Stein: I never bothered you. You want to shoot me. I out-and-out my go to you. To cinema. To music. To theater. I'm 17 years elderly. I close to masculinity. I like to swivel relatives by the tenderloin of. And that's what the theater be: sex. It's like getting laid.::Myrtle Gordon: Um, what picture you do to her?, Maurice Aarons: I have a small part. It's unsympathetic. The audience doesn't like me. I can't afford to be in love with you., Maurice Aarons: I thought that small talk was too small, I thought big talk was too pretentious, I thought music was noise, and I thought art was bullshit., Sarah Goode: Just please tell me what this play doesn't express.::Myrtle Gordon: Hope.
Pereira, José Vaz. In: TV Filmes (Portugal). (MG), June 1997, Pg. 63, L'Avant-Scène Cinéma. Paris, June 1995 (No. 443). pp. 118-121. (MG)
Screenplay-teleplay: L'Avant-Scène Cinéma. Paris, June 1995 (No. 443). pp. 4-114. (MG) (Dialog in both English and French)
A young-looking female get kill enclosed by an destiny maddening behind you upon her favorite actress Myrtle Gordon after a frolic. Then Myrtle Gordon feel culpable in column of the kill governing her coat to an spellbinding ruin that interfere near her office pursue by manoeuvre of an actress.
Certificates: Finland:K-16, Sweden:15, UK:15, USA:PG-13
Color Info: Color
Countries: USA
Genres: Drama
Languages: English
Runtimes: 144
Sound Mix: Mono
Tech Info: MET:3940 m, OFM:35 mm, PCS:Spherical, PFM:35 mm, RAT:1.85 : 1, LAB:MGM Laboratories Inc.
Release Dates: USA:22 December 1977, West Germany:February 1978, Sweden:17 April 1978, Finland:26 January 1979, Italy:2 February 1979, Hungary:17 May 1979, Argentina:11 April 2000, Czech Republic:5 July 2004, Greece:22 September 2004, UK:15 June 2007
In movie played:
Josh Becker (actor)
Birth Name: Becker, Joshua Matthew
Sold one of his scripts to a studio for $67,000. It is still not yet produced as of this date (March 2005). However, Becker used the money to help finance 'Running Time (1997)'.
Interviews: "Gorezone Magazine" (USA), 1991, Iss. 18, pg. 44-47,+65, by: David Kuehls, "Josh Becker Shalt Direct ... Excess"
Birth Date: 17 August 1958
Peter Bogdanovich (actor)
Articles: "The New York Times" (USA), 20 March 2005, by: Stephanie Zacharek, "'Who the Hell's in It': Breathless", "The Los Angeles Times" (USA), 23 November 2004, by: Patrick Goldstein, "Survival Is This Peter's Principle", "The Daily Telegraph" (UK), 14 November 2004, by: Anthony Quinn, "'Marlene Dietrich told me that she loved me'", "The Washington Post" (USA), 5 May 2002, Vol. 125, Iss. 151, pg. G1+G5, by: Ann Hornaday, "At Last, a New Picture Show", "Entertainment Weekly" (USA), 3 May 2002, Vol. 1, Iss. 652, pg. 44-48, by: Jeff Gordinier, "The Past Picture Shows", "Entertainment Weekly" (USA), 3 May 2002, Vol. 1, Iss. 652, pg. 44-48, by: Jeff Grodinier, "The Past Picture Shows", "The New Yorker" (USA), 8 April 2002, pg. 36+37+38+39+40+41+42, by: Tad Friend, "The Moviegoer"
Father of 'Antonia Bogdanovich' (qv) and Sashy Bogdanovich., Boyfriend of Playboy Playmate of the year 'Dorothy Stratten' (qv) (1980) who was murdered by her estranged jealous husband. Wrote a book about Stratten soon after., Is of Serbian heritage., Married to 'Dorothy Stratten' (qv)'s sister Louise (b. 1968) from 1988-2001, (1971 - 1978) Partner of 'Cybill Shepherd' (qv), Is a vegetarian., Was meant to direct _Giù la testa (1971)_ (qv) with 'Sergio Leone (I)' (qv) producing, but backed out at the last minute due to his fear of such a large production. Leone stepped in and directed it himself., He was offered the chance to direct _The Godfather (1972)_ (qv), but turned down producer 'Robert Evans (I)' (qv), as did several other directors. It was only then that Evans hired 'Francis Ford Coppola' (qv)., Biography in: John Wakeman, editor. "World Film Directors, Volume Two, 1945- 1985". Pages 133-138. New York: The H.W. Wilson Company, 1988., Has a signed photograph from 'Cybill Shepherd' (qv) hanging in the study of his New York City apartment signed "Dear Sven, I wouldn't be here without you." "Sven" is short for "Svengali", the musician in 'George L. Du Maurier' (qv)'s Bohemian novel "Trilby" who, through hypnosis, teaches the eponymous heroine to sing and controls her singing for his own purposes., Something of a film historian, he set out to interview a good many of the important directors and stars from the "Golden Age of Hollywood", interviews later compiled in a series of books he released. While his "relationships" with some of his subjects were mere brief encounters, others turned into long-lasting friendships. Among the legends he befriended were 'Orson Welles' (qv), 'Howard Hawks' (qv), 'Alfred Hitchcock (I)' (qv), 'Cary Grant' (qv), 'James Stewart (I)' (qv), 'Audrey Hepburn' (qv), 'Jean Renoir' (qv), 'Frank Sinatra' (qv), 'Marlene Dietrich' (qv) and 'Jerry Lewis (I)' (qv)., Believes that his falling out with legendary director 'John Ford (I)' (qv) was related to his guiding long-time Ford repertory member 'Ben Johnson (I)' (qv) to the Academy Award. His ex-wife, 'Polly Platt' (qv), says that Ford didn't like Bogdanovich's treatment of her that led to a divorce. Platt stayed close to Ford until he died., Directed 6 different actors in Oscar-nominated performances: 'Ben Johnson (I)' (qv), 'Jeff Bridges (I)' (qv), 'Cloris Leachman' (qv), 'Ellen Burstyn' (qv), 'Tatum O'Neal (I)' and 'Madeline Kahn' (qv). Johnson, Leachman and O'Neal all won Oscars for their performances., Interviewed in "The Director's Event: Interviews with Five American Filmmakers", by Eric Sherman and Martin Rubin., Member of the jury at the Venice Film Festival in 1981., Member of the jury at the Venice Film Festival in 1992., After _At Long Last Love (1975)_ (qv) was been pulled from theaters due to poor tickets sales, he wrote an open letter, printed in newspapers throughout the country, apologizing for the quality of the film., Turned down chance to direct _Chinatown (1974)_ (qv).
Trademarks: Always seen wearing a neck scarf.
Biographical Movies: _Picture This: The Times of Peter Bogdanovich in Archer City, Texas (1991)_ (qv)
Interviews: "TV Guide" (USA), 6 November 2006, Vol. 54, Iss. 45, pg. 53, by: G. J. Donnelly, "Q&A with Peter Bogdanovich", "Stop Smiling" (USA), 2005, Iss. 23, pg. 16-19+90, by: James Hughes, "A Hitchcocko-Hawksian's Guide To Hollywood: Filmmaker Peter Bogdanovich discusses the birth of the auteur movement", "Guardian" (UK), 30 November 2004, by: Clive James, "Peter Bogdanovich", "The Austin American-Statesman" (USA), 28 October 2004, by: Chris Garcia, "Who the Devil is This Peter Bogdanovich?", "Uncut" (UK), July 2004, pg. 18, "The legendary Peter Bogdanovich on Orson Welles, acting in The Sopranos, and his spectacular return to form with period murder mystery The Cat's Meow", "TV Guide" (USA), 28 February 2004, Vol. 52, Iss. 9, pg. 14, by: Bruce Fretts, "Insider Q & A", "Diário de Notícias" (Portugal), 19 May 1999, pg. 48, by: Eurico de Barros, "Uma vida nos dois lados do cinema", "Chicago Sun-Times" (USA), 1975, by: 'Gary Houston' (qv), "Gallery" (USA), September 1973, Vol. 1, Iss. 11, by: Fred Robbins, "Gallery Interview: Peter Bogdanovich"
Books: Thomas J. Harris. _Bogdanovich's Picture Shows._ Lanham, MD: Scarecrow Press, 1990. ISBN 0-8108-2365-9
The son of immigrant flee the Nazis--his father be a Serbian painter and pianist and his mother was descend from a flush Jewish Austrian family--Peter Bogdanovich was conceive delimited by Europe but born in America. He originally was an entertainer in the 1950s, study his craft next to fabulous acting running shoe 'Stella Adler' (qv) and appear by small screen and in summer pigs. In the whimsical 1960s he achieve reputation in give your approval to of programming films at the Museum of Modern Art in New York City. An zealous cinema-goer, sometimes seeing aloft to 400 movies a year in his youth, Bogdanovich prominently showcased the occupation of American director such in lodge of 'John Ford (I)' (qv), lately about whom he subsequently write a mark album base on the log he enjoy produced for the MOMA expected of the chief, and the then-underappreciated 'Howard Hawks' (qv). Bogdanovich also bring general population a undersized something to such forgotten pioneer of American put on show as 'Allan Dwan' (qv). Bogdanovich was influenced using the French critic of the 1950s who wrote for Cahiers du Cinema, enormously critic-turned-director 'François Truffaut' (qv). Before becoming a director himself, he build his reputation as a envisage contributor with article in Esquire Magazine. In 1968, subsequent to the taster of Cahiers du Cinema critics Truffaut, 'Jean-Luc Godard' (qv), 'Claude Chabrol' (qv) and 'Eric Rohmer' (qv) who had created the Nouvelle Vague ("New Wave") by making their relatable films, Bogdanovich become a director. Working for low-budget schlock-meister 'Roger Corman' (qv), Bogdanovich directed the critically praise _Targets (1968)_ (qv) and the not-so-critically praised _Voyage to the Planet of Prehistoric Women (1968)_ (qv), a film longest forgotten. Turning decisive to journalism, Bogdanovich strike up a lifelong comradeship with the legendary 'Orson Welles' (qv) while interview him on the bundle of 'Mike Nichols (I)' (qv)' film getting previously owned to of _Catch-22 (1970)_ (qv) from the new-fangled by 'Joseph Heller' (qv). Subsequently, Bogdanovich have play a crucial role in elucidate Welles and his craft with his writings on the bad actor-director, furthermost distinctively his book "This be Orson Welles" (1992). He has steadily produced loved book about the cinema, especially "Who the Devil Made It: Conversations with Legendary Film Directors," an indispensable tome that establish Bogdanovich, along with 'Kevin Brownlow' (qv), as one of the premier English-language chroniclers of cinema. The 32-year-old Bogdanovich was hail by a critics as a Wellesian wunderkind when his most celebrated film, _The Last Picture Show (1971)_ (qv) was released. The film received eight Academy Award nomination, plus Bogdanovich as Best Director, and win two of them, for 'Cloris Leachman' (qv) and "John Ford Stock Company" veteran 'Ben Johnson (I)' (qv) in the opinionated acting category. Bogdanovich, who had template 19-year-old shining example 'Cybill Shepherd' (qv) in a major role in the film, fell in lionize with the childish comeliness, an affair that after a while lead to his divorce from the film's set builder 'Polly Platt' (qv), his longtime ocular collaborator and the mother of his two abode. Bogdanovich follow up _The Last Picture Show (1971)_ (qv) with a major pummel, _What's Up, Doc? (1972)_ (qv), a screwball the jokey detachment heavily indebted to Hawks' _Bringing Up Baby (1938)_ (qv) and _His Girl Friday (1940)_ (qv), starring 'Barbra Streisand' (qv) and 'Ryan O'Neal'. Despite his belief on homage to bygone cinema, Bogdanovich had become firm his kudos as one of a action characteristics of A-list directors that incorporated Academy Award winner 'Francis Ford Coppola' (qv) and 'William Friedkin (I)' (qv), with whom he formed The Directors Company. The Directors Company was a significant abandon contract with Paramount Pictures that inherently engineer available the directors blank cheque if they kept inwardly severe budget limitations. It was through this entity that Bogdanovich's subsequent substantial hit, the critically praised _Paper Moon (1973)_ (qv), was produced. _Paper Moon (1973)_ (qv), a Depression-era comedy starring 'Ryan O'Neal' (qv) that won his ten-year-old daughter 'Tatum O'Neal' (qv) an Oscar as Best Supporting Actress, prove to be the highwater dupe of Bogdanovich's career. Forced to allowance the earnings with his fellow directors, Bogdanovich became malcontent with the layout. The Directors Company subsequently produced lone two more pictures, 'Francis Ford Coppola' (qv)'s critically acclaimed _The Conversation (1974)_ (qv) which was nominated for an Academy Award for Best Picture of 1974 and garner Coppola an Oscar nod for Best Director, and Bogdanovich's _Daisy Miller (1974)_ (qv), a film that had a a little deviating critical reception. An adaptation of the 'Henry James (I)' (qv) novella, _Daisy Miller (1974)_ (qv) spell the commencing of the interweave up of Bogdanovich's career as a practical class, critically acclaimed director. The film, which starred Bogdanovich's lover 'Cybill Shepherd' (qv) as the banner merits, was savaged by critics and was a flop at the cardboard box bureau. Bogdanovich's continuation, _At Long Last Love (1975)_ (qv), a film of the 'Cole Porter' (qv) cadenced starring 'Cybill Shepherd' (qv), was deride by critics as one of the worst films ever made, noted for itself in 'Harry Medved' (qv) and 'Michael Medved' (qv)'s book "The Golden Turkey Awards: Nominees and Winners, the Worst Achievements in Hollywood History" (1980). The film also was a box office barrage despite feature 'Burt Reynolds (I)' (qv), a hotly ignition public figure who would accomplish super-nova status at the end of the 1970s. Once again beholden to the ancient, Bogdanovich insist on filming the musical numbers for _At Long Last Love (1975)_ (qv) inhabit, a formula untouched since the early years of the talkies, when grumble machinate 'Douglas Shearer' (qv) business lip-synching at Metro-Goldwyn-Mayer. The edict was widely ridicule, as none of the ascendant actor be ordered for their singing knowledge (Bogdanovich himself had produced a critically pan album of 'Cybill Shepherd' (qv) singing 'Cole Porter' (qv) songs in 1974). The public perception of Bogdanovich became that of an impolite director hamstrung by his out of the ordinary hubris. Trying to recapture the lightning in the carafe that was his early glory, Bogdanovich once again turned to yesteryear, his own and that of cinema, with _Nickelodeon (1976)_ (qv). The film, a comedy recounting the earliest days of the motion picture industry, reunite 'Ryan O'Neal' (qv) and 'Tatum O'Neal' from his finishing hit, _Paper Moon (1973)_ (qv) with 'Burt Reynolds (I)' (qv). Counseled not to use up the out of favour (with both audience and critics) 'Cybill Shepherd' (qv) in the film, Bogdanovich instead used newcomer 'Jane Hitchcock' (qv) as the film's ingénue. Unfortunately, the artifice of _Paper Moon (1973)_ (qv) could not be persistent and the film die at the box office. 'Jane Hitchcock' (qv), Bogdanovich's uncovering, would make only a further film since calling it quit. After a three-year hiatus, Bogdanovich return with the critically and financially underwhelming _Saint Jack (1979)_ (qv) for 'Hugh M. Hefner' (qv)'s Playboy Productions Inc. Bogdanovich's long-standing affair with 'Cybill Shepherd' (qv) had terminated in 1978, but the production deal making 'Hugh M. Hefner' (qv) the film's maker was subdivision of the appeasement of a lawsuit Shepherd had file distant Hefner for publish nude photo of her pirate from a print of _The Last Picture Show (1971)_ (qv) in Playboy Magazine. Bogdanovich later launch the film that would be his career Waterloo, _They All Laughed (1981)_ (qv), a low-budget ensemble comedy starring 'Audrey Hepburn' (qv) and the 1980 Playboy Playmate of the Year, 'Dorothy Stratten' (qv). During the filming of the picture, Bogdanovich fell in love with Stratten, who was married to an emotionally hot-tempered hustler, 'Paul Snider (II)' (qv), who relied on her financially. Stratten moved in with Bogdanovich, and when she tell Snider she was departure him, he shot and kill her, sodomizing her body before commit suicide. _They All Laughed (1981)_ (qv) could not inducement a slot apparatus in the red to the distrustful marketing about the Stratten butchery, despite it someone one of the few films made by the legendary 'Audrey Hepburn' (qv) after her impermanent retirement in 1967 (the film would prove to be Hepburn's last starring role in a theatrically released motion picture). The desolate Bogdanovich acquire the rights to the negative in this manner that it would be see by the public, but the film had a fixed unbind, garnered watered down review and costs Bogdanovich millions of dollars, driving the emotionally astonished director into defeat. Bogdanovich turned back to his crack avocation, lettering, to pen a memoir of his departed love, "The Killing of the Unicorn: Dorothy Stratten (1960-1980)" that was published in 1984. The book was a riposte to 'Teresa Carpenter' (qv)'s "Death of a Playmate" article documented for The Village Voice that had won the 1981 Pulitzer Prize. Carpenter had lambasted Bogdanovich and 'Hugh M. Hefner' (qv), claim that Stratten was as a great deal a object of them as she was of 'Paul Snider (II)' (qv). The article serve as the distribute out of 'Bob Fosse' (qv)'s film _Star 80 (1983)_ (qv), where on earth Bogdanovich was portray as the legendary director "Aram Nicholas". Bogdanovich's career as a noted director was done, and but he achieved meek success with _Mask (1985)_ (qv), his sequel to his maximum success _The Last Picture Show (1971)_ (qv), _Texasville (1990)_ (qv), was a critical and box office bummer. He directed two more thespian films in 1992 and 1993, but their letdown kept him po-faced the big blind until 2001's _The Cat's Meow (2001)_ (qv). Returning once again to a reworking of the past, this instance the alleged murder of director 'Thomas H. Ince' (qv) by Welles' bete noir 'William Randolph Hearst' (qv), _The Cat's Meow (2001)_ (qv) was a modest critical success but a flop at the box office. In fixture to helming one television movies, Bogdanovich has returned to acting, with a cyclical guest role on the cable television set _"The Sopranos" (1999)_ (qv) as Dr. Jennifer Melfi's analyst. Bogdanovich's personal reputation suffer from sneak about his 13-year marital to 'Dorothy Stratten' (qv)'s 19-year-old-kid sister 'Louise Stratten' (qv), who was 29 years his junior. Some gossip held that Bogdanovich's behavior was akin to that of the 'James Stewart (I)' (qv) character in 'Alfred Hitchcock (I)' (qv)'s necrophiliac great work _Vertigo (1958)_ (qv), with the director exasperating to remold Stratten into the carving of her past due sister. The marriage ended in divorce in 2001. Now in his mid-60s, Bogdanovich ferociously has imitate his hero 'Orson Welles' (qv), but in an unintended fad, as a group of monumental failure much cherished by the mythmakers of Hollywood. However, unrelated the widely acclaimed master Welles, the orbit of Bogdanovich's reputation has never recovered from the apogee it reach briefly in the early 1970s. There has be speculation that Peter Bogdanovich's ruin as a director was guaranteed when he ditched his wife and artistic collaborator 'Polly Platt' for 'Cybill Shepherd' (qv). Platt had work with Bogdanovich on all his early success, and some critics sanction that the controlling artistic consciousness on _The Last Picture Show (1971)_ (qv) was Platt's. Parting determined with Platt after _Paper Moon (1973)_ (qv), Bogdanovich on time slip from the height of a wunderkind to a has-been pursue epic folly, as evidence by _Daisy Miller (1974)_ (qv) and _At Long Last Love (1975)_ (qv). In 1998 the National Film Preservation Board of the Library of Congress name _The Last Picture Show (1971)_ (qv) to the National Film Registry, an honor award only to the most culturally principal films. Viewing _Daisy Miller (1974)_ (qv) alongside _The Last Picture Show (1971)_ (qv) should be a type part of film seminary curriculum, as it tend to debunk the auteur argument. Bogdanovich's career give proof to the contention that film is an industrial process and respectively motion picture has frequent "authors," not just one (the director). If the auteur theory were true, Bogdanovich arguably would have returned to contour eventually and produced more pastoral films, except another masterpiece. He didn't - he didn't even come dear. Thus, Bogdanovich will hold back behind a explanation in cinema earlier possession, more expensive for his contributions to the literature of film than to the surrounding objects itself.
John Cassavetes (actor)
Seymour Cassel (actor)
Jimmy Christie (actor)
Fred Draper (actor)
Peter Falk (actor)
John Finnegan (actor)
Ben Gazzara (actor)
Angelo Grisanti (actor)
Jimmy Joyce (actor)
James Karen (actor)
Rabbi William Kramer (actor)
Peter Lampert (actor)
Robert Leader (actor)
Ray Powers (actor)
Meade Roberts (actor)
David Rowlands (actor)
Paul Stewart (actor)
John Tuell (actor)
Robert von Dassanowsky (actor)
Sherry Bain (actress)
Joan Blondell (actress)
Briana Carver (actress)
Katherine Cassavetes (actress)
Laura Johnson (actress)
Zohra Lampert (actress)
Louise Lewis (actress)
Barbara Perry (actress)
Gena Rowlands (actress)
Lady Rowlands (actress)
Sylvia Davis Shaw (actress)
Sharon Van Ivan (actress)
Carol Warren (actress)
Eleanor Zee (actress)
Michael Lally (producer)
Al Ruban (producer)
Sam Shaw (producer)
John Cassavetes (writer)
Al Ruban (cinematographer)
Bo Harwood (composer)
Alexandra Corwin-Hankin (costume designer)
John Cassavetes (director)
Tom Cornwell (editor)
Robert Bogdanoff (miscellaneous crew)
Esme Chandlee (miscellaneous crew)
Tom Cornwell (miscellaneous crew)
Arlene Harris (miscellaneous crew)
Michelle Hart (miscellaneous crew)
Susan Howell (miscellaneous crew)
Jack Krupnick (miscellaneous crew)
Adria Later (miscellaneous crew)
Rick Schmidlin (miscellaneous crew)
Eve Siegel (miscellaneous crew)
Teresa Stokovic (miscellaneous crew)
Sharon Van Ivan (miscellaneous crew)
Raymond Vellucci (miscellaneous crew)
Bryan Ryman (production designer)
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